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"Then I will sing you a song I was sent last week," says Mona, and forthwith sings him "Years Ago," mournfully, pathetically, and with all her soul, as it should be sung. Then she gives him "London Bridge," and then "Rose-Marie," and then she takes her fingers from the piano and looks at him with a fond hope that he will see fit to praise her work.,

"No, it will not shock me," returns Mona, quietly; whereupon he sits down, and Biddy puts a basin on the table, and Mona, with trembling fingers, takes a scissors, and cuts away the shirt-sleeve from his wounded arm. Then she bathes it.,

Rodney's breath is coming more quickly, and he is conscious of a desire to stop and pull himself together—if only for a minute—before bracing himself for a second effort. But to Mona, with her fresh and perfect health, and lithe and lissom body, and all the rich young blood that surges upward in her veins, excitement serves but to make her more elastic; and with her mind strung to its highest pitch, and her hot Irish blood aflame, she runs easily onward, until at length the road is reached that is her goal.,

There is a ghostly tapping (as of some departed spirit who would fain enter once again into the old halls so long forgotten) against the window pane. Doubtless it is some waving branch flung hither and thither by the cruel tempest that rages without. Shadows come and go; and eerie thoughts oppress the breast:—

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"I wish you had never gone to Ireland!" says Lady Rodney, deeply depressed. "My heart misgave me when you went, though I never anticipated such a climax to my fears. What possessed you to fall in love with her?",

"Your wife, Geoffrey?" she says, holding Mona's hand all the time, and gazing at her intently. Then, as though something in Mrs. Geoffrey's beautiful face attracts her strangely, she lifts her face and presses her soft lips to Mona's cheek.,

"Yes, but he always doffed it; and he never put one on like ordinary mortals, he always donned it. You can't think what a difference it makes.",

A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood.